{"id":840,"date":"2020-07-28T21:12:26","date_gmt":"2020-07-28T20:12:26","guid":{"rendered":"https:\/\/feministssoa.group.shef.ac.uk\/?p=840"},"modified":"2025-06-15T23:17:52","modified_gmt":"2025-06-15T22:17:52","slug":"feminist-performative-architectures","status":"publish","type":"post","link":"https:\/\/feminist.ssoa.info\/?p=840","title":{"rendered":"\u2018Feminist\u2019 Performative Architectures"},"content":{"rendered":"\n<p style=\"font-size:15px\"><strong style=\"user-select: auto;\">Title:<\/strong> <strong>\u2018Feminist\u2019 Performative Architectures: <\/strong><em>making place in and with public space<\/em><\/p>\n\n\n\n<p style=\"font-size:15px\"><strong style=\"user-select: auto;\">Author: <\/strong>Helen Stratford<\/p>\n\n\n\n<p style=\"font-size:15px\"><strong style=\"user-select: auto;\">Year:<\/strong> 2021<\/p>\n\n\n\n<p style=\"font-size:15px\"><strong style=\"user-select: auto;\">Abstract:<\/strong> Architecture requires movement and interaction with the body to be understood. <sup style=\"user-select: auto;\">1<\/sup> In this tacit inter-relationship, buildings and public space are better understood as \u2018performative conditions\u2019 \u2013 \u201cacting on us and activated by us.\u201d <sup style=\"user-select: auto;\">2<\/sup> In visual, live-art and performance practices, many people and groups are working between concepts of art, architecture and performance, where \u2018performative research\u2019 is well known. <sup style=\"user-select: auto;\">3<\/sup>&nbsp;Simultaneously, within architectural practice and theory, the idea of the performative has become prevalent. However, in architecture the term is still largely conflated with performance, creating spaces for performance, or material technologies rather than a \u201csite of group co-ordination in space over time.\u201d <sup style=\"user-select: auto;\">4<\/sup><\/p>\n\n\n\n<p style=\"font-size:15px\">Bringing together concepts of performativity from feminist and queer theories, practice from visual\/live-art and performance studies with architecture and critical spatial practice, this PhD explores the use of performance-focused participatory methods in researching how particular public spaces are performed. Led by an enquiry which stems from and includes my own practice, it explores how this practice research can be used to interrogate how spatial knowledge is accumulated in recently developed public spaces or those situated within regeneration frameworks, in order to make visible, question and challenge spatial prejudices produced at the intersections of social, cultural, economic and political relations. &nbsp;<\/p>\n\n\n\n<p style=\"font-size:15px\">Ultimately, this PhD offers a new interdisciplinary method that works between art, architecture and performance to reframe notions of performativity in architecture. In this critical approach to theory and practice, performativity is both research method: practice &#8211; a way of working, and research methodology: theory &#8211; a way of thinking about or through the place of public space. Here, there is a reviewing of the position of the researcher as practitioner, exploring how this position changes and occupies multiple sites that influence spatial production, and a reviewing of public space, exploring how public spaces might be equally multiple. Rather than designing solutions, these spaces are found in emergent outcomes, developed through interaction, dialogue and provocation, to deepen, complexify or broaden questions; exerting a performative force on existing notions of public space.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p style=\"font-size:15px\"><strong>Notes<\/strong><\/p>\n\n\n\n<p class=\"has-small-font-size\">1 \u201cArchitecture is characterized by the fact that it can be perceived not only with the eyes, but with all the senses, and can only be experienced fully through movement.\u201d Sophie Wolfrum, \u201cPerformative Urbanism: Generating and Designing Urban Space,\u201d in <em style=\"user-select: auto;\">Performative Urbanism: Generating and Designing Urban Space<\/em>, eds. Sophie Wolfrum and Nikolai Frhr.v. Brandis (Berlin: Jovis Verlag GmnH, 2015).<\/p>\n\n\n\n<p class=\"has-small-font-size\">2<sup style=\"user-select: auto;\"> <\/sup>Doina Petrescu, presentation at Performative Architectures discussion event, organised by urban (col)laboratory at the Showroom, London, October 2011. See also: \u201cActing Space \u2013 Transversal notes, on-the-ground observations and concrete questions for us all\u201d in <em style=\"user-select: auto;\">URBAN\/ACT<\/em>, eds. aaa-peprav (Paris: atelier d\u2019architecture autog\u00e9r\u00e9, 2007).<\/p>\n\n\n\n<p class=\"has-small-font-size\">3 Brad Haseman, \u201cRupture and Recognition: Identifying the Performative Research Paradigm\u201d in Practice as Research: Approaches to Arts Enquiry, eds. Estelle Barrett and Barbara Bolt (London and New York: I.B.Tauris, 2007). See also Robin Nelson, Practice as Research in the Arts Principles, Protocols, Pedagogies, Resistances (London: Palgrave Macmillan, 2013).<\/p>\n\n\n\n<p class=\"has-small-font-size\">4 Shannon Jackson, Social Works: performing art, supporting publics (London: Routledge, 2011) 3.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link no-border-radius\" target=\"_blank\" rel=\"noopener noreferrer\">DOWNLOAD<\/a><\/div>\n<\/div>\n\n\n\n<p style=\"font-size:15px\">It will be available to download soon.<\/p>\n\n\n\n<div style=\"height:80px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Helen Stratford, PhD Thesis, 2021. Architecture requires movement and interaction with the body to be understood. 1 In this tacit inter-relationship, buildings and public space are better understood as \u2018performative conditions\u2019 \u2013 \u201cacting on us and activated by us.\u201d 2 In visual, live-art and performance practices [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":837,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[102],"tags":[55,57],"class_list":["post-840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications","tag-practice","tag-theory"],"_links":{"self":[{"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=\/wp\/v2\/posts\/840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=840"}],"version-history":[{"count":4,"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=\/wp\/v2\/posts\/840\/revisions"}],"predecessor-version":[{"id":2184,"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=\/wp\/v2\/posts\/840\/revisions\/2184"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=\/wp\/v2\/media\/837"}],"wp:attachment":[{"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/feminist.ssoa.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}